It’s like you feel how disoriented the character is. This lets them see the world with his eyes. It is also a great way to involve the viewers in the feelings of He Qiwu while he is running fast. The shakiness of the camera in a scene aims to show the chaotic movements of the men. The short-focus lens used for shooting this scene adds to the effect by flattening the image.Īnother visual effect meant to make the viewers more involved in the scene is camera movement up and down. People passing by He Qiwu appear to create a faceless entity. The camera shows the people’s images blurry, adding to the feeling of fast movement of the character and his alienation from the crowds of people surrounding him. The visual effects used in this scene aim to amplify the feeling of being lost in a crowd. In one of the first scenes where we get acquainted with He Qiwu, one of the central characters in the film, he is running through the street chasing a criminal. Blurry Focus to Show Faceless Entity of Urban People Millions of people living in a society feel lonely because of the routine they are drowning in.
#Chungking express movie#
This movie shows the other side of urbanization. In the case of Chungking Express, visual effects helped the film director to convey the loneliness, hopelessness, and frustration of the main characters. They help the film creators to tell the story from the perspective they want the audience to see it. Visual effects in movies are aimed to set the right mood for the viewers. How Can Visual Effects Affect Our Perception of the Film?
The film director skillfully shows the isolation and alienation characteristic of people living in big cities through visual effects in the film. Living in a constant rush, they lack time to look around and see the people who surround them. One of the central themes of the film is the impact of the daily routine on the life of urban people. However, it was already in 1994 that Wong Kar-wai managed to depict the feelings of loneliness and rashness of the big city with millions of people living so close to each other but at the same time being so emotionally distant from each other. These feelings got especially acute in 1997 when Hong Kong sovereignty was handed over from the UK to China.
That was the time when Hong Kong was several steps away from one of the most difficult periods in its history: the period of uncertainty, confusion, and chaos as to the future of the city. He is well known for his debut drama As Tears Go By. “An exhilarating pop masterpiece.Chungking Express is a film directed by Wong Kar-wai – one of the leading figures in the Hong Kong movie sphere. “A movie that looks like a wholesale reinvention of the cinema … This is what Godard movies were once like: fast, hand-held, funny, and very, very catchy.” Tony Rayns, Time Out Chungking Express ranks among the great films of the past thirty years.
Few movies manage to be as frenetic or as ferociously entertaining while at the same time so strangely moving the melancholic mood of yearning, regret, and loss so palpable here is as central to Wong’s art as his always-amazing visual pyrotechnics. The neon-rush images are by cinematographer Christopher Doyle - a major contributor, along with production designer and editor William Chang, to the WKW aesthetic. Ultra-chic, ultra-urban, and ultra-urgent, this offbeat crime thriller-cum-romantic comedy unfolds in two loosely connected parts, both concerning lonely, lovelorn cops (played by Takeshi Kaneshiro and Tony Leung Chiu-Wai). “A bliss-out of time and space, men and women, Mamas and Papas, poetry and pop … This is what movies could be, should be, and finally are.” Manohla Dargis, Film CommentĬhungking Express, Wong Kar-Wai’s triumphant third feature, left no doubt: the Hong Kong hipster was one of cinema’s most dazzlingly original new talents, responsible for some of the most evocative, exciting, and gloriously beautiful films of the day.
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